Roulotte:07

Rogelio López Cuenca, a77 + Pau Faus, Ximena Labra, Heidrun Holzfeind, Erkan Özgen, Ana Teresa Ortega, Javier Peñafiel.

Roulotte:07

Following the two previous special issues (# 05, # 06) Roulotte returns to its usual ways, with barely a route planned other than the attentive readiness to stop wherever interesting projects are sighted. Perhaps the reference made to portable architecture and self-construction offered by a77 may even be interpreted as a way of explaining this return to the unpredictability of the road. However, as happens in all experiments, once consummated we then suffer the temptation of interpreting the discontinuity of events as if they were fragments of a single story. This is how we have now decided to provide a common thread which passes through most of the projects in Roloutte 07: the memory.

In recent years contemporary culture has been used in projects of anamnesis in a clearly visible way. The reason for this turn of events is complex in character, but may be summed up in two ideas. First there is an obvious lack of instruments by which to consider the future after modern illusions about it were shattered; it seems there is no utopian horizon possible in this vacuum without feeding on past stories which nowadays may be brought up to date. Conversely, the magnitude of contemporary hedonism has placed us within a rigorous dictatorship of the present where, together with the effervescent proliferation of situations, grows proportionally with the feeling of rampant banality – that of dispensable biographies– which can only be corrected by fearless archaeology.

(April 2010)

Presentation of Roulotte:05, Arts Santa Mònica, Barcelona

(July 2009)
Presentation of Roulotte:05 (ACM) and the publication entitled Rotorrr, within the context of the After Architecture exhibition.
Arts Santa Mònica

Roulotte:05
MAKAN · MAKOM · PLACE · LLOC · LUGAR > ISRAEL / PALESTINE

The hostilities or the conflict are just two of the euphemisms used by the traditional media when referring to the constant harassment, either military or legal, carried out by the state of Israel on Palestinians. When this special issue of Roulotte was about to go into press a severe punishment operation was being carried out on the Gaza Strip –a much more explicit expression and thus reserved for acts of war– with the most shameful international acquiescence. This situation dates back to when the state of the Land of Israel was created, thus beginning a policy of usurpation, division and fragmenting of the territory and people of Palestine. From this moment on, the remorse felt by the West for the Holocaust allowed a new breach to open up which has led to thousands being displaced and made refugees, in continuous illegal settlements, in an suffocating administrative blockade upon the people and the building of gigantic illegal walls. In a clearly eloquent way, the Israeli celebration of Independence Day coincides with the Nakba (misfortune) of Palestine.

This territory is the reason for the dispute and the axis on which the zone’s political agenda hangs. Each inch of ground is fought over with all sorts of religious rhetoric, administrative strategies and acts of war. The Promised Land turned into the empire of irrationality, of vigilance and unpunished violence. The Place (Makom in Hebrew and Makan in Arabic) seems to be stigmatised by the irresolvable ethnic separation into two states. The old agreements which led to the division being established by the by the Green Line have not been respected and the territorial planning by the state of Israel is still conceived as an ongoing greedy process regardless of the consequences which it may bring. In this issue Roulotte proposes a collection of works which inspect the tensions affecting this damaged and fragmented territory through different registers, without failing to add proposals for the necessary future.

roulotte:05
The Monster’s tail. Ariella Azoulay / Adi Ophir
Walls / Shelters / Holes. Miki Kratsman
Street Exhibitions. Activestills
Real Estate. Domènec
48_Nakba. Domènec / Sàgar Malé / Mapasonor
In the Absence of a Currency. Shuruq Harb
Decolonizing Architecture. Sandi Hilal / Alessandro Petti / Eyal Weizman
Zion. Kertesz / Maor
Baggage Roulotte: 05. Jan Tichy

Roulotte:06 / Spam_magazine 6, Centro Cultural Matucana 100, Santiago, Chile

10 June 2009, presentation of the special collectively published issue of “Roulotte:06 / Spam_magazine 6”, Centro cultural Matucana 100, Santiago, Chile.
Taking part: Pablo Brugnoli, Gregorio Brugnoli, Domènec and Marti Peran
With the support of Centro Cultural de España Santiago de Chile and SEACEX

……………….

Roulotte:06
SPECIAL ISSUE > ROULOTTE / SPAM_MAGAZINE > AMERICA / EUROPE

The remarkable trajectories of SPAM_magazine and Roulotte have now come together. This volume is in fact the result of combining two different projects to achieve a common goal. This event happened quite by chance coinciding with both publications reaching the same number of issues (6); so, without changing any sequences, each publication celebrates the opportunity to continue its work by conferring absolute naturalness upon this chance meeting.

The different continents covered in each publication raise hardly any divergence. With their own trajectories already made and despite their distant origins, Roulotte and SPAM_magazine have demonstrated they have very close interests and even a certain similarity in styles. Santiago de Chile and Barcelona have hardly any tools by which to channel mutual information, but the flexible portable nature of both publications has enabled them to become uprooted enough to meet in new places. You will find a small collection of these enclaves herein.

While considering the joint project the teams at SPAM_magazine and Roulotte decided to conduct crossed perspectives. Thus the Roulotte team offers several works carried out on the American continent while SPAM_magazine does the same with Europe. This is simply a methodological tool of leisure lacking any anthropological pretensions. Both projects travel anywhere and everywhere, so it would be quite impertinent to grant them any privilege in defining their viewpoints. Yet a common plot has been activated which runs through all the projects: their cartographical character.

Cartography has been a fundamental tool for an alleged scientific approach to physical and social territories, but at the same time it has also amounted to a certain kind of protocol to create the same area it represents and to manage all regimes of visible and invisible things a la carte. Faced with this tradition, contemporary culture has tested other cartographic procedures, other ways of noting geographical and political scenarios in which there is a resurgence of improvised restless worlds. You won’t find any conventional maps in this volume, yet one way or another all the contents form the fragment of a possible infinite mapping.

Acte 4: Roulotte, Fundació Suñol, Barcelona

(April 2008)

Roulotte is a flexible editorial project produced by ACM, Associació per a la Cultura i l’Art Contemporani which features information on projects devised in specific geographical and social contexts. Roulotte thus becomes a sort of permanently travelling mobile exhibition. Editors: Xavier Arenós, Domènec, Martí Peran.

Event featuring the participation of Jordi Colomer and Josep M. Martín.

From 21 through 25 April 2008 the Roulotte archive may be visited at Nivell Zero with photography by Lisbeth Salas.

Roulotte in Post-It City. Occasional Cities, CCCB, Barcelona

(March-May 2008)

Roulotte takes part in the exhibition project Post-it City. Occasional Cities with a special edition of Roulotte:04.

Roulotte. Martí Peran

The illusion of every mobile home was developed as a myth of late modernity, but behind this genealogical line, the modern roulotte has been moved to a profile with a huge critical potential as opposed to a large part of the conventions of the same modernity. The declining which could summarize this process is widely known. The first episode embodies Raymond Roussel’s famous “maison roulante”, designed to inject the possibility of mobility into the domestic comfort of private luxury accommodation. It hardly attempted to combine the illusion of having a private refuge with the modern fascination for the car. In his wake, the aerodynamic experiments by Buckminster Fuller added a new patina of cosmopolitism to a number of prototypes quite close to the shipping spirit of Le Corbusier’s architecture. The mobile home thus seemed paradoxically like the paradigm of a new way to be still anchored to the world. We had to wait until the renewed imagination of the postwar to witness the beginning of inflection. Since Archigram we have begun to imagine a city devoid of territory thanks to technology able to diversify movements; a possibility still politically speaking quite neutral which soon Constant would be in charge of correcting when he highlighted the antagonistic transforming power of the “principle of disorientation”. From that moment on, mobile homes shed their original features (as a private expanded refuge, as the possibility of a traveler’s colonization of new places and as a technological tool to broaden the tentacle like cohesion of territory) to turn into a sort of toll for critical nomadic lifestyle, deforming established routes and ways, and far from the musts of an epistemology based on belonging.

As opposed to the formats of driven mobility in which modernity was occupied (traveling and defined routes within a city), the new roulotte moves by means of a generating circulation of several vectors of direction. It is no longer about guaranteeing a connection between two points allowing the controlled network to be extended but the chance of multiplying trips until shedding territory which makes the conventional cartographic perspective relative. Moving without traveling. The roulotte no longer sails along the routes that were previously mapped but crisscrosses them to create its own routes. This is the underlying transforming power of nomadic lifestyle, able to deform the devised reticule and therefore, making it difficult for the efficiency of control mechanisms commanded by traditional urban planning: residing without inhabiting. Opposed to the illusion of a static territory and city able to orchestrate the movements made inside them (from the room-like areas to productive and consumer ones) with the exclusive score written from the hierarchy of private interest, the unforeseen travels of the new roulotte dislocate the places and established functions of space, they act like parasites for the foreseen with what is unexpected and they intersect what is public and private by returning to the public sphere subjectivity and emotion which was usurped from it. From the roulotte one stays overnight where one did not plan, domestic appropriations are made of common space and one controls the succession of scenes which pass by the windows a la carte: the multiplication of collisions between events and spaces of a true architecture of action. The roulotte thus bursts in like unnerved architecture, like a focus of events and node of constant traffic. The city seen as a passing place not a destination, which furthermore allows one to turn around the convention which distinguishes between civilized centers and periphery to be conquered. The temporary nature of every small camp on the urban margins, turns its availability into its own subjective productivity, fertilizes for one evening even a new intermezzo.

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Roulotte:04 has been devised purposely for the project Post-it City. Occasional Urbanities(www.ciutatsocasionals.net) The main purpose of this research consists of detecting different techniques for temporary occupation of the public spaces in today’s cities for all kinds of activities (commercial, leisure, sex,..) and with the conviction that behind them one may equally recognize new subjective emergencies as well as responses to the new social emergencies. When bursting into the public space unpredictably and ungovernably, the post-it phenomena upset the conventional backdrop of the city, turning it into a plural territory crossed by all that is parasitical and skilful, by recycling and creative work; but they also show up the new forms of marginalization and exclusion, compelled to subsist through flexible features to temporarily conquer spaces belonging to citizens by constant mobility and, often, a compelled secrecy. Inside this Post-it City occasional situation are multiplied like this with the double feature of resistance and emergency. In this context, Roulotte considers it was appropriate to articulate this edition by presenting a huge collection of roulottes and caravans, susceptible of being interpreted almost as a paraphrase of the same idea of Post-it City. In the end roulottes are the perfect example of a mobile architectural feature which behaves unpredictably and is able to appear and disappear with absolute agility.

The materials presented make up an open repertoire not a closed catalogue. As it could be no other way, there is no common route or any map organizing the order and destination of each caravan. The unit is combined almost at random, different pictures from very different origins. The only criterion has been marked by very elementary guidelines: to give certain priority to scenes in the metropolitan area of Barcelona and, on the other hand, to work starting from those pictures linked to art or research projects which develop, whether this is the final aim or as a consequence of previous work processes, a documentary-like approach to the real phenomenon of these tiny occasional traveling cities.

Presentation of Roulotte Project, IUAV Venice

Art and Urban Practices.
New City-Territories
IUAV and Venice Biennial
12th / 13th JUNE 2007 VENICE

aMAZElab proposes an international seminar and exhibition as cultural practices, aimed at students and artists, along with a conference on the theme of Mediterranean Atlas. Art and Urban Practices. New city-territories.
Artists, architects and theorists describe contemporary living and the transformations of seven Mediterranean cities: Istanbul, Beirut, Nicosia, Tel Aviv, Alexandria and Barcelona and Venice.